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Kendall's "belief that hypertext is a 'medium of
multiplicity and contingency' in which readers perform poems, thus creating effects
similar to those found in 'semi-improvised oral poetry' {74} [has led to his] attempt[s]
to 'parallel the random-access nature of human memory' {75}" (Landow, George.
Hypertext 2.0. Baltimore: The Johns Hopkins University Press, 1997, p. 217. [His citation
is: Kendall, Robert. "Hypertextual Dynamics in A Life Set for Two." Hypertext
'96. New York: Association for Computing Machinery, 1996. 74-84.]) This "random-access nature of human memory" is not completely random, but often triggered, as, for instance, a certain smell of oranges may remind someone of her first time picking oranges from her grandparents' trees in Florida. Kendall's goal in this attempt, though, is to parallel the "multiplicity and contingency" of the body in life. One is unaware of what is possible regarding the body throughout one's life--it shapes itself into unsuspected forms as it hits puberty, and then again at middle age, once again in old age, and finally decomposes itself in death. The last form is the only one of which people can anticipate and be somewhat sure. |
© 2000 Shari Margolin